简介:Intwopreviouspaperspublishedintheprecedingvolumesofthisjournal,differentaspectsoftheuseofforeigncourtsbyGreekcitiesintheHellenisticPeriodhavebeenstudied.InJAC7,anattemptwasmadetosettheroleofforeigncourtsagainstthewiderbackgroundofthedevelopmentofpoliticalinstitutionsandpracticesinthecourseoftheHellenisticperiod.InJAC8theuseofforeignjudgesbySeleucidsubjectcitieswasreconsideredinthelightoftherevisionofanimportantinscriptionfromPriene.Inthisthirdpaper,theevolutionoftheuseofforeigncourtsbyGreekcitiesinthecourseofthethirdcenturywillbeconsideredinformaltermsthroughtheanalysisofanotableseriesofinscriptionsfromtheislandofKalymnaintheDodecannesegroup,locatedoffthesouth-westcoastofAsiaMinor.InhisCorpusofinscriptionsfromKalymna(TC),M.Segrecollected,inadditiontotherecordofaKnidianarbitrationbetweenKalymnaanditsKoanprivatecreditors(TC79),fiveinscr
简介:TheactivitiesofDemetriusPoliorcetes('TheBesiegerofCities')duringtheyears310to308B.C.receivescantattentionfromtheclassicalsources.1AsfarasDiodorusSiculusandPlutarch,ourchiefauthorities,areconcerned,DemetriusislastseenconductingalightningraidonBabylonin311,andappearsnextascommanderoftheAntigonidexpeditiontoGreeceinmid-307.2However,flagrantlacunaeinthehistoricalnarrativecannotbeusedasevidencetoarguethattherewasnothingofimportanceto...
简介:本文首次刊布敦煌莫高窟北区B125窟出土的一件回鹘文残卷,对回鹘文原文进行拉丁字母转写、汉文翻译和注释,并对残卷的翻译年代、版本和翻译方式等问题提出自己的看法.
简介:InJAC19,IinvestigatedListsofMonthlyBarley-WheatDistributionsandAllowances(se-garziz-garsa-dug4itid-da),withregardtothetypesandamountoffodderprovidedtodonkeysfromtheruleofEnentarzitotheendyearsofUrukagina.Inthispaper,IfoundthatfromUrukaginaYear5,ii(2ndmonth),thedailyfodderfordonkeys,andthenumberoftypesofdonkeys,weregreatlyreduced.EconomicdeclineoccurredinthereignofUrukagina,kingofLagash,fromthefifthyearon,possiblyasaresultofpoliticaldecline.ThefactthatthearchiveoftheHouseofTheLadyendsinUrukagina'sseventhyearmayimplythatitisinthisyearthatLugalzaggesi,kingofUmma,capturedLagashandGirsu.
简介:凡悲慨之气,皆产生于主体在现实中的一腔宏大抱负不能实现的悲慨之情,从而借助于艺术形式将其物化为艺术审美的结晶——诗。对此,司空图在《二十四诗品·悲慨》一品中作了形象的描述:大风卷水,林木为摧,意苦若死,招憩不来。百岁如流,富贵冷灰,大道日往,若为雄才。壮士拂剑,浩然弥哀……现实中,理想的政治日益衰微,雄才志士被弃一旁(“大道日往,若为雄才”),故而产生心情痛苦到了极点,悲哀无法排遣(“意苦若死,招憩不来”)的悲慨之情,由此,那个有才难展的壮土,才一面拂拭宝剑,一面唱起了“浩然弥哀”的慷慨悲歌。这样的悲歌能令人振聋发聩。如齐梁时代,梁朝武将曹景宗《光华殿侍宴赋“竞”“病”韵》诗云: