摘要
Thethreemovies,c0mbinedasa"FatherTrilogy",exposeAngLee’skeytone-generaltolerance.Hismovies,survivinginthegapbetweenEasternandWesternculture,couldbeconsideredasabridgeamongthetwodifferenttraditions.FollowinghisfirstmoviePushingHands,acautioustryout,hissecondwork-TheWeddingBanquet-puthimonthepinnacleofcreation.WhileEatDrinkManWomansustainsthefeelingof"thereneverwasafeastbuttheguestshadtodepart",remindingpeopleallgoodthingsmustcometoanend,andthus,drewastopskillfullyforhistril0gy.Formingdistinctartistictraits,AngLeerigorouslypursueshiscreativeprinciple,techniqueshouldbeintheserviceofstory’Andshoweditinhissoberandrestraincamerashots,aswellasplainandsmoothediting.
出版日期
1995年02月12日（中国期刊网平台首次上网日期，不代表论文的发表时间）
